{"id":2588,"date":"2011-05-05T01:29:24","date_gmt":"2011-05-05T08:29:24","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2588"},"modified":"2011-05-04T22:31:31","modified_gmt":"2011-05-05T05:31:31","slug":"geller-plays-strayhorn","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/05\/geller-plays-strayhorn\/","title":{"rendered":"Geller Plays Strayhorn"},"content":{"rendered":"<p>At 82, Herb Geller is still living in Germany, still touring in Europe, with occasional&#151;too rare&#151;visits to his US homeland. Here he is last February in Aberdeen, Scotland, at a club called the Blue Lamp. His rhythm section is pianist Paul Kirby, bassist Martin Zenker and drummer Rick Hollander. They play Billy Strayhorn\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Johnny Come Lately.\u00e2\u20ac\u009d <\/p>\n<p>What\u00e2\u20ac\u2122s the reason for posting this performance? Listen.<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/qMWV9YTy48U?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>At 82, Herb Geller is still living in Germany, still touring in Europe, with occasional&#151;too rare&#151;visits to his US homeland. Here he is last February in Aberdeen, Scotland, at a club called the Blue Lamp. His rhythm section is pianist Paul Kirby, bassist Martin Zenker and drummer Rick Hollander. They play Billy Strayhorn\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Johnny Come [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2588","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2588"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2588\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}