{"id":2585,"date":"2011-05-04T00:30:42","date_gmt":"2011-05-04T07:30:42","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2585"},"modified":"2011-05-04T08:42:55","modified_gmt":"2011-05-04T15:42:55","slug":"rifftidesers-helping-rifftidesers","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/05\/rifftidesers-helping-rifftidesers\/","title":{"rendered":"<i>Rifftidesers<\/i> Helping <i>Rifftidesers<\/i>"},"content":{"rendered":"<p>Several days ago in the course of conducting a web search, Vicki Overfelt came across a 2008 <i>Rifftides<\/i> mini-review of a Rosa Passos album, <i>Romance<\/i>. She used the comment function to ask if anyone could help her find the object of her search. She wanted the words to \u00e2\u20ac\u0153Desilusi\u00c3\u00b3n,\u00e2\u20ac\u009d a song Passos wrote <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/05\/Passos-Romance.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/05\/Passos-Romance.jpg\" alt=\"\" title=\"Passos Romance\" width=\"110\" height=\"110\" class=\"alignleft size-full wp-image-2586\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/05\/Passos-Romance.jpg 110w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/05\/Passos-Romance-70x70.jpg 70w\" sizes=\"auto, (max-width: 110px) 100vw, 110px\" \/><\/a>with lyricist Santiago Auser\u00c3\u00b3n and recorded on her 2006 CD <i><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FRosa-Passos%2Fdp%2FB000EYK4EY&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\">Rosa<\/a><\/i>.  Skeptical that other trollers might find her plea so long after the initial item, we nonetheless posted the query. <\/p>\n<p>Lo and behold, yesterday Rub\u00c3\u00a9n Gonz\u00c3\u00a1lez sent a message from Rosario, Argentina, with the Spanish lyrics to \u00e2\u20ac\u0153Desilusi\u00c3\u00b3n.\u00e2\u20ac\u009d We thank Sr. Gonz\u00c3\u00a1lez. To see the original review in its <strong>Recent Listening, In Brief<\/strong> setting and the chain of correspondence containing the lyrics, <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2008\/06\/recent_listening_in_brief\/\"target=\"_blank\">go here<\/a>. <\/p>\n<p>Please take advantage of the <i>Rifftides<\/i> archives. You might find something you\u00e2\u20ac\u2122ve been looking for or get a surprise. You can enter a term in the box to the left of \u00e2\u20ac\u0153Search\u00e2\u20ac\u009d just below the <strong>artsJournalblogs<\/strong> logo at the top right of the page. Or you can scroll down to \u00e2\u20ac\u0153Archives\u00e2\u20ac\u009d in the right-hand column, choose a month&#151;or several months&#151;and just rummage around. There are more than six years of posts to roam in. Enjoy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Several days ago in the course of conducting a web search, Vicki Overfelt came across a 2008 Rifftides mini-review of a Rosa Passos album, Romance. She used the comment function to ask if anyone could help her find the object of her search. She wanted the words to \u00e2\u20ac\u0153Desilusi\u00c3\u00b3n,\u00e2\u20ac\u009d a song Passos wrote with lyricist [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2585","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2585"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2585\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}