{"id":2569,"date":"2011-04-26T01:30:59","date_gmt":"2011-04-26T08:30:59","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2569"},"modified":"2011-04-26T08:56:18","modified_gmt":"2011-04-26T15:56:18","slug":"other-places-prague-jazz-redivivus","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/04\/other-places-prague-jazz-redivivus\/","title":{"rendered":"Other Places: Prague Jazz Redivivus"},"content":{"rendered":"<p>Tony Emmerson&#8217;s blog <em>Prague Jazz<\/em> has come out of hibernation after <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/04\/Tony-Emmerson.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/04\/Tony-Emmerson.jpg\" alt=\"\" title=\"Tony Emmerson\" width=\"100\" height=\"129\" class=\"alignleft size-full wp-image-2570\" \/><\/a>several months of dormancy. It was, and presumably again will be, a prime source of information about music in one of eastern Europe&#8217;s great centers of culture. The main re-entry item is an interview with saxophonist Julian Nicholas, like Emmerson a native of the UK who has developed strong ties to the Czech Republic. The interview is capped with video of Nicholas in performance with the Emil Viklick\u00c3\u00bd Trio. The quirky cinematography is presumably by way of Viklick\u00c3\u00bd&#8217;s unmanned camera perched on his piano. The sound quality is good. To read the interview and see the performance, <a href=\"http:\/\/www.praguejazz.blogspot.com\/\"target=\"_blank\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tony Emmerson&#8217;s blog Prague Jazz has come out of hibernation after several months of dormancy. It was, and presumably again will be, a prime source of information about music in one of eastern Europe&#8217;s great centers of culture. The main re-entry item is an interview with saxophonist Julian Nicholas, like Emmerson a native of the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2569","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2569"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2569\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}