{"id":2527,"date":"2011-04-16T20:42:09","date_gmt":"2011-04-17T03:42:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2527"},"modified":"2011-04-16T20:52:33","modified_gmt":"2011-04-17T03:52:33","slug":"guest-shot-those-grammy-changes","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/04\/guest-shot-those-grammy-changes\/","title":{"rendered":"Guest Shot: Those Grammy Changes"},"content":{"rendered":"

Outrage continues to grow in the Latin jazz community over the decision of the National Academy of Recording Arts and Sciences (NARAS) to drop the Best Latin Jazz category from the annual Grammy awards. The NARAS Board of Governors \"\"<\/a>this week decided to eliminate nearly a third of the award categories, but the loudest protest has come from Latin jazz artists, their fans and record labels that specialize in Latin music. NARAS president Neil Portnow defended cutting the number of categories from 109 to 78 as \u00e2\u20ac\u0153restructuring.\u00e2\u20ac\u009d He countered charges that big record companies can influence the Grammy voting and, as Larry Rohter reported in The New York Times<\/em><\/a>, \u00e2\u20ac\u0153seemed to be arguing that the committee that cut 31 Grammy categories was acting to preserve the integrity of the awards.\u00e2\u20ac\u009d<\/p>\n

As Eddie Palmieri, Bobby Sanabria and other Latin jazz musicians continue to protest, people in many areas of music are calling into question the overall thrust and and purpose of the Grammys. Among them is the saxophonist, composer, arranger, producer and Grammy-award-winning<\/a> bandleader Bob Belden. Belden has committed his thoughts on the matter to paper in the spirit of Jonathan Swift, Woody Allen and Stan Freberg. He has allowed Rifftides<\/i> to share them with you. <\/p>\n

\n
NARAS TO BAN MINOR CHORDS
\nBy Bob Belden<\/iframe><\/div>\n

Adding further fuel to the fire, NARAS announced late last night that the
\nuse of “Minor Chords or any chord that would constitute a breach of the peace is prohibited in songs or arrangements submitted for Grammy Consideration”.<\/p>\n

In another ruling, the board, at the urging of Cee-Lo and the panel of
\nAmerica’s Got Talent<\/i> and American Idol<\/i>, have created a “Best Profane Song Of The Year” category. When asked by reporters about this about-face in lieu of dropping categories, a spokesperson for NARAS said “F___ you”. They are also considering for the “Best New Artist” category the use of a text message voting system to appeal to audience participation and ensure that the least talented \u00e2\u20ac\u0153artist\u00e2\u20ac\u009d will always win based on popularity and media exposure, the true philosophy of NARAS. <\/p>\n

In another move to boost revenue, each major category will have a
\ncorporate sponsor. “Song of the Year” will now be “Comcast Song of the Year.” “Best New Artist” will be “Exxon Best New Artist.” Hilton Hotels will sponsor “Best Lounge Act.” Sony will sponsor “Best New Sony Artist.” The Emir of Dubai, Warren Buffet and Osama Bin Laden have donated money to the NARAS Executive Travel Fund to get \u00e2\u20ac\u0153branding rights.\u00e2\u20ac\u009d Rumors are that The Trump Organization wants branding rights to all of the R&B and Hip Hop awards as a reflection of Donald\"\"<\/a> Trump\u00e2\u20ac\u2122s closeness with \u00e2\u20ac\u0153the blacks.\u00e2\u20ac\u009d Newt Gingrich is reported to want branding rights to an R&B category out of \u00e2\u20ac\u0153historic traditions.\u00e2\u20ac\u009d The State of Arizona wants rights to all Hispanic categories in order to deport all of the artists who enter. We know of deals in the works for “Phil Spector Best Female Artist,” the “Suge Knight Humanitarian Award” and “Goldman Sachs Best Country and Western,” but details are not forthcoming; all is hush-hush at NARAS headquarters in the Blackwater\/Halliburton building.<\/p>\n

Henceforth, the Grammy statues will contain advertising. When artists accept the awards, they will be instructed to hold the objects in a way that will allow one or two corporate logos to flash in front of the millions of viewers. This money will be donated to the NARAS Executive Compensation Fund. CBS will also charge a ‘\u00e2\u20ac\u009dflash view\u00e2\u20ac\u009d fee for any artist who wants to have a one-second \u00e2\u20ac\u0153cut to\u00e2\u20ac\u009d shot in the televised show. If an artist or manager wants more \u00e2\u20ac\u0153flash time,\u00e2\u20ac\u009d the fee is increased.<\/p>\n

Dropped before their first year of awards were “Best Overdubbed Solo”,
\n“Best Latin Jazz Vocals Sung in Actual Latin,” “Best New Payola Artist,” “Best New Monopoly Label” and “Best Baritone Saxophone Solo.” The live band will be eliminated, on grounds that most of the nominated artists will not know the difference.<\/p>\n","protected":false},"excerpt":{"rendered":"

Outrage continues to grow in the Latin jazz community over the decision of the National Academy of Recording Arts and Sciences (NARAS) to drop the Best Latin Jazz category from the annual Grammy awards. The NARAS Board of Governors this week decided to eliminate nearly a third of the award categories, but the loudest protest […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2527","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2527"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2527\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}