{"id":252,"date":"2005-11-15T01:06:15","date_gmt":"2005-11-15T09:06:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=252"},"modified":"2005-11-15T01:06:15","modified_gmt":"2005-11-15T09:06:15","slug":"compatible_quotes_4","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/11\/compatible_quotes_4\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<blockquote><p>It bugs me when people try to analyze jazz as an intellectual theorem. It\u00e2\u20ac\u2122s not. It\u00e2\u20ac\u2122s feeling<strong>\u00e2\u20ac\u201dBill Evans<\/strong><\/p><\/blockquote>\n<blockquote><p>Music is, by its very nature, essentially powerless to express anything at all.  Music expresses itself<strong>\u00e2\u20ac\u201dIgor Stravinsky<\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>It bugs me when people try to analyze jazz as an intellectual theorem. It\u00e2\u20ac\u2122s not. It\u00e2\u20ac\u2122s feeling\u00e2\u20ac\u201dBill Evans Music is, by its very nature, essentially powerless to express anything at all. Music expresses itself\u00e2\u20ac\u201dIgor Stravinsky<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-252","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=252"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/252\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}