{"id":2515,"date":"2011-04-12T21:34:56","date_gmt":"2011-04-13T04:34:56","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2515"},"modified":"2011-04-12T21:49:39","modified_gmt":"2011-04-13T04:49:39","slug":"correspondence-the-stamp-of-jazz","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/04\/correspondence-the-stamp-of-jazz\/","title":{"rendered":"Correspondence: The Stamp Of Jazz"},"content":{"rendered":"<p>Jazz historian, composer, arranger, bandleader, educator and short sleeper <a href=\"http:\/\/www.jazzsuite.com\/\"target=\"_blank\">Bill Kirchner<\/a> writes:<\/p>\n<blockquote><p>You&#8217;ve probably seen&#151;or will see&#151;the new &#8220;Jazz&#8221; U.S. postage stamp just issued.  A year ago, I was a paid consultant on the design of it.  The graphic artist&#8217;s original design included a trumpeter, saxophonist, pianist, and bassist&#151;no women, no singer.  I successfully lobbied for a female singer&#8211;my foremost contribution to American culture (smile).<\/p><\/blockquote>\n<p>This was the stamp being introduced in New Orleans on the day it was issued, March 25. The man in the light suit is Paul Rogers, who designed it. <\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/04\/Jazz-Stamp.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/04\/Jazz-Stamp.jpg\" alt=\"\" title=\"Jazz Stamp\" width=\"400\" height=\"277\" class=\"aligncenter size-full wp-image-2516\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/04\/Jazz-Stamp.jpg 400w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/04\/Jazz-Stamp-300x207.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p>On his website, Rogers wrote about the project.<\/p>\n<blockquote><p>Louis Armstrong, Jelly Roll Morton, Duke Ellington, Charlie Parker, and about a dozen others have been honored with stamps in the past, and in 2008 Michael Bartalos designed a wonderful Latin Jazz stamp, but there has never been a single stamp to pay tribute to America\u00e2\u20ac\u2122s original art form, jazz. It\u00e2\u20ac\u2122s always an honor to design a postage stamp, and because I love jazz and have great respect for the history of the music, this one was very special to me.<\/p><\/blockquote>\n<p>To read about and see the stages of Rogers\u00e2\u20ac\u2122 creation of the design, including detail about how the singer became part of the scheme, <a href=\"http:\/\/www.drawger.com\/paulrogers\/?article_id=11778\"target-\"_blank\">go here<\/a>. <\/p>\n<p>The Treme Brass Band was part of the stamp\u00e2\u20ac\u2122s unveiling ceremony, so why not let them end our story? <\/p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" title=\"YouTube video player\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/4BBO6chcIk0?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>Now, I&#8217;m homesick. And I miss <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ed_Bradley\"target=\"_blank\">Ed Bradley<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jazz historian, composer, arranger, bandleader, educator and short sleeper Bill Kirchner writes: You&#8217;ve probably seen&#151;or will see&#151;the new &#8220;Jazz&#8221; U.S. postage stamp just issued. A year ago, I was a paid consultant on the design of it. The graphic artist&#8217;s original design included a trumpeter, saxophonist, pianist, and bassist&#151;no women, no singer. I successfully lobbied [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2515","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2515"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2515\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}