{"id":250,"date":"2005-11-29T01:03:30","date_gmt":"2005-11-29T09:03:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=250"},"modified":"2005-11-29T01:03:30","modified_gmt":"2005-11-29T09:03:30","slug":"comment_breakstone_on_teachout","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/11\/comment_breakstone_on_teachout\/","title":{"rendered":"Comment: Breakstone On Teachout On Scott"},"content":{"rendered":"<p>Joshua Breakstone, the melodically inspired guitarist, writes, also from New York:<\/p>\n<blockquote><p>Thanks for the link to Terry Teachout&#8217;s article on Randolph Scott. As great as the lines you quoted in your piece are, it&#8217;s genius- no doubt- to come up with an observation on the order of &#8220;The dashing young leading man of the Thirties now looked as though he\u00e2\u20ac\u2122d been carved from a stump, and every word he spoke reeked of disillusion.&#8221; It&#8217;s brilliant, it&#8217;s illuminating and heart wrenching at the same time, it&#8217;s got time, cadence, rhythm, what a line!<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Joshua Breakstone, the melodically inspired guitarist, writes, also from New York: Thanks for the link to Terry Teachout&#8217;s article on Randolph Scott. As great as the lines you quoted in your piece are, it&#8217;s genius- no doubt- to come up with an observation on the order of &#8220;The dashing young leading man of the Thirties [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-250","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=250"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/250\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}