{"id":246,"date":"2005-11-12T01:05:00","date_gmt":"2005-11-12T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=246"},"modified":"2005-11-12T01:05:00","modified_gmt":"2005-11-12T09:05:00","slug":"weekend_extrastreaming_with_ne","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/11\/weekend_extrastreaming_with_ne\/","title":{"rendered":"Weekend Extra:Streaming With Neff"},"content":{"rendered":"<p>The veteran Pennsylvania broadcaster Russ Neff is once again doing a jazz program, but he\u00e2\u20ac\u2122s streaming it on the internet. He writes that he was inspired by Jim Wilke\u00e2\u20ac\u2122s <a href=\"http:\/\/www.jazzafterhours.org\/\"target=\"_blank\"><em>Jazz After Hours <\/em><\/a>to return to jazz radio.<\/p>\n<blockquote><p>I&#8217;d not been on the air since 1991 and since no local station was interested in my services, I decided that online audio was the way to go\u00e2\u20ac\u00a6audio streaming is my chosen vehicle. <\/p><\/blockquote>\n<p>To hear Russ\u00e2\u20ac\u2122s current <em>My Favorite Things<\/em>, <a href=\"http:\/\/www.mftjazz.com\/ \"target=\"_blank\">click here<\/a> and then on \u00e2\u20ac\u0153Listen Here.\u00e2\u20ac\u009d The program has a minimum of talk from Neff\u00e2\u20ac\u201dall of it informative\u00e2\u20ac\u201dand a generous, mellow and varied supply of music, some of it unexpected. As I write this, he has just played B.B. King singing and Eric Clapton gargling \u00e2\u20ac\u0153Come Rain or Come Shine\u00e2\u20ac\u009d and segued into \u00e2\u20ac\u0153The Quintessence,\u00e2\u20ac\u009d by Rob McConnell and the Boss Brass.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The veteran Pennsylvania broadcaster Russ Neff is once again doing a jazz program, but he\u00e2\u20ac\u2122s streaming it on the internet. He writes that he was inspired by Jim Wilke\u00e2\u20ac\u2122s Jazz After Hours to return to jazz radio. I&#8217;d not been on the air since 1991 and since no local station was interested in my services, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-246","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=246"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/246\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}