{"id":244,"date":"2005-11-07T01:04:00","date_gmt":"2005-11-07T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=244"},"modified":"2005-11-07T01:04:00","modified_gmt":"2005-11-07T09:04:00","slug":"the_company_we_keep","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/11\/the_company_we_keep\/","title":{"rendered":"The Company We Keep"},"content":{"rendered":"<p><strong><em>Top 10 Sources<\/em><\/strong> has honored <em>Rifftides<\/em> by including us in its list of the top ten jazz sites on the web. To see the company we\u00e2\u20ac\u2122re in and what the other nine sites are up to, <a href=\"http:\/\/jazz.toptensources.com\/TopTenSources\/default.aspx\"target=\"_blank\">go here<\/a>. Thanks to Quentin Palfrey and all of the <strong><em>Top 10 Sources<\/em><\/strong> folks.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Top 10 Sources has honored Rifftides by including us in its list of the top ten jazz sites on the web. To see the company we\u00e2\u20ac\u2122re in and what the other nine sites are up to, go here. Thanks to Quentin Palfrey and all of the Top 10 Sources folks.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-244","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=244"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/244\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}