{"id":2361,"date":"2011-03-06T01:05:40","date_gmt":"2011-03-06T09:05:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2361"},"modified":"2011-04-17T12:38:42","modified_gmt":"2011-04-17T19:38:42","slug":"cd-tamir-hendelman","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/03\/cd-tamir-hendelman\/","title":{"rendered":"CD: Tamir Hendelman"},"content":{"rendered":"<p><strong>Tamir Hendelman<\/strong>, <em><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FDestinations-Tamir-Hendelman%2Fdp%2FB003T05T4K%3Fie%3DUTF8%26qid%3D1297234644%26sr%3D1-1&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Destinations<\/a><\/em> (Resonance). <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/03\/Hendelman-Destinations.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2362\" title=\"Hendelman Destinations\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/03\/Hendelman-Destinations.jpg\" alt=\"\" width=\"130\" height=\"130\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/03\/Hendelman-Destinations.jpg 130w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/03\/Hendelman-Destinations-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/03\/Hendelman-Destinations-110x110.jpg 110w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/><\/a>The pianist\u00e2\u20ac\u2122s second album as a leader is a gem. With drummer Lewis Nash and the Italian-born bassist Marco Panascia, he fashions exquisite versions of a dozen pieces. He is exhilarating in his lightning exploration of Makoto Ozone\u00e2\u20ac\u2122s \u00e2\u20ac\u0153BQE,\u00e2\u20ac\u009d tender in his own \u00e2\u20ac\u0153Babushka,\u00e2\u20ac\u009d full of wit in his fleet exchanges with Nash and Panascia in Charlie Parker\u00e2\u20ac\u2122s and Dizzy Gillespie\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Anthropology.\u00e2\u20ac\u009d In the contrast between his intricate introduction to \u00e2\u20ac\u0153Wrap Your Troubles in Dreams\u00e2\u20ac\u009d and the trio\u00e2\u20ac\u2122s entry into the song itself, Hendelman creates a classic feel-good moment.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tamir Hendelman, Destinations (Resonance). The pianist\u00e2\u20ac\u2122s second album as a leader is a gem. With drummer Lewis Nash and the Italian-born bassist Marco Panascia, he fashions exquisite versions of a dozen pieces. He is exhilarating in his lightning exploration of Makoto Ozone\u00e2\u20ac\u2122s \u00e2\u20ac\u0153BQE,\u00e2\u20ac\u009d tender in his own \u00e2\u20ac\u0153Babushka,\u00e2\u20ac\u009d full of wit in his fleet exchanges [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-2361","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2361"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2361\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}