{"id":235,"date":"2005-11-10T01:03:00","date_gmt":"2005-11-10T09:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=235"},"modified":"2005-11-10T01:03:00","modified_gmt":"2005-11-10T09:03:00","slug":"comment_name_that_pianist","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/11\/comment_name_that_pianist\/","title":{"rendered":"Comment: Name That Pianist"},"content":{"rendered":"<p>Jon Foley explains that his messages tend to come in batches.<\/p>\n<blockquote><p>Yesterday, I was listening to a west coast jazz station over the internet, and a track came on, a quintet, I believe. The rhythm section caught my attention, even when the horns were soloing. When it came time for the piano solo, I was riveted. You know how sometimes you&#8217;re listening to musicians solo, and they&#8217;re all good, and then one plays and immediately makes you think, wow, this guy&#8217;s on another level completely? I didn&#8217;t recognize him right away, so I waited for the announcer to give the personnel. She finally came on, gave the line-up, and the pianist was, of course, &#8230;&#8230;&#8230;.Bill Charlap.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Jon Foley explains that his messages tend to come in batches. Yesterday, I was listening to a west coast jazz station over the internet, and a track came on, a quintet, I believe. The rhythm section caught my attention, even when the horns were soloing. When it came time for the piano solo, I was [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-235","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=235"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/235\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}