{"id":2321,"date":"2011-02-24T01:05:00","date_gmt":"2011-02-24T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2321"},"modified":"2011-02-24T01:05:00","modified_gmt":"2011-02-24T09:05:00","slug":"other_places_arturo_ofarrills","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/02\/other_places_arturo_ofarrills\/","title":{"rendered":"Other Places: Arturo O&#8217;Farrill&#8217;s Cuban Odyssey"},"content":{"rendered":"<p>Many listeners know that Arturo O&#8217;Farrill is a talented New York pianist who leads Jazz at Lincoln Center&#8217;s Afro-Latin Jazz Orchestra. He has been a considerable force in Latin <a href=\"http:\/\/www.artsjournal.com\/rifftides\/A.%20O%27Farrill.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"A. O'Farrill.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2011\/02\/A. O'Farrill-thumb-150x158-19192.jpg\" width=\"150\" height=\"158\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a>music in the US for three decades. Fewer may be aware that he is the son of Chico O&#8217;Farrill, a Cuban of Irish origin who was one of the most distinctive and versatile composers and arrangers in American jazz. In this week&#8217;s <i>Village Voice<\/i>, Larry Blumenfeld tells the father&#8217;s and son&#8217;s stories in the context of Arturo&#8217;s emotional trip to Havana with his mother and sons. He made the trip with full knowledge that anti-Castro Cubans in the US, including his friend Paquito D&#8217;Rivera, feel that any recognition of or cooperation with Cuba will be used by the Castro government as a propaganda weapon. From Blumenfeld&#8217;s piece:<\/p>\n<blockquote><p>Arturo squints into the sun and explains that, late in his life, after his father&#8217;s career had revived, Chico was ready to go back and play his music. He wanted to return. &#8220;But then his health took a really bad turn,&#8221; Arturo says. &#8220;It became impossible. So I&#8217;m completing that trip for him.&#8221; But this isn&#8217;t just a personal matter, he explains. &#8220;I&#8217;m not interested in making light of the fact that Cuban politics is rife with corruption and political imprisonment. I&#8217;m also not delicate about communicating that America is a nation built on tremendous bloodshed and continuous imperialism. I don&#8217;t think those are things that should be run from or ignored. They&#8217;re just historical facts. Anybody who&#8217;s half-awake in the world will understand the brutality of both sides. Music courses through and above all that. We need to connect, not disconnect.&#8221;<\/p><\/blockquote>\n<p>Blumenfeld&#8217;s lengthy article about O&#8217;Farrill&#8217;s visit to his father&#8217;s homeland has the flavor of a well-reported documentary. To read it, <a href=\"http:\/\/www.villagevoice.com\/2011-02-23\/music\/nyc-pianist-arturo-o-farrill-heads-to-cuba-finds-himself-and-brings-his-father-home\/\"target=\"_blank\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Many listeners know that Arturo O&#8217;Farrill is a talented New York pianist who leads Jazz at Lincoln Center&#8217;s Afro-Latin Jazz Orchestra. He has been a considerable force in Latin music in the US for three decades. Fewer may be aware that he is the son of Chico O&#8217;Farrill, a Cuban of Irish origin who was [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2328,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2321","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2321"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2321\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/2328"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}