{"id":2314,"date":"2011-02-14T11:45:00","date_gmt":"2011-02-14T19:45:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2314"},"modified":"2011-02-14T11:45:00","modified_gmt":"2011-02-14T19:45:00","slug":"shearing_on_how_he_did_it","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/02\/shearing_on_how_he_did_it\/","title":{"rendered":"Shearing On How He Did It"},"content":{"rendered":"<p>I just came across this video clip of George Shearing answering fellow pianist Billy Taylor&#8217;s questions about how he developed the Shearing style. The clip has no date, but Taylor&#8217;s leisure suit says the 1970s. The interested onlooker is Marian McPartland.<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"YouTube video player\" width=\"480\" height=\"390\" src=\"http:\/\/www.youtube.com\/embed\/lor4iEoMaG0?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>I just came across this video clip of George Shearing answering fellow pianist Billy Taylor&#8217;s questions about how he developed the Shearing style. The clip has no date, but Taylor&#8217;s leisure suit says the 1970s. The interested onlooker is Marian McPartland.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2314","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2314"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2314\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}