{"id":2300,"date":"2011-02-01T14:01:07","date_gmt":"2011-02-01T22:01:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2300"},"modified":"2011-02-01T14:01:07","modified_gmt":"2011-02-01T22:01:07","slug":"compatible_quotes_thelonious_m","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/02\/compatible_quotes_thelonious_m\/","title":{"rendered":"Compatible Quotes: Thelonious Monk"},"content":{"rendered":"<blockquote><p><em>Jazz is my adventure. I&#8217;m after new chords, new ways of syncopating, new figures, new runs. How to use notes differently. That&#8217;s it. Just using notes differently<\/em>.<\/p><\/blockquote>\n<blockquote><p><em>If you really understand the meaning of be-bop, you understand the meaning of freedom.<\/em><\/p><\/blockquote>\n<blockquote><p><em>I&#8217;m famous. Ain&#8217;t that a bitch!<\/em><\/p><\/blockquote>\n<blockquote><p><em>Monk taught me more about music composition than anyone else on 52nd Street<\/em>.&#151;Miles Davis<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Jazz is my adventure. I&#8217;m after new chords, new ways of syncopating, new figures, new runs. How to use notes differently. That&#8217;s it. Just using notes differently. If you really understand the meaning of be-bop, you understand the meaning of freedom. I&#8217;m famous. Ain&#8217;t that a bitch! Monk taught me more about music composition than [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2300","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2300"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2300\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}