{"id":2285,"date":"2011-01-07T12:12:33","date_gmt":"2011-01-07T20:12:33","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2285"},"modified":"2011-01-07T12:12:33","modified_gmt":"2011-01-07T20:12:33","slug":"the_viklicky-robinson_concert","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/01\/the_viklicky-robinson_concert\/","title":{"rendered":"The Viklick\u00c3\u00bd-Robinson Concert: A Video Report"},"content":{"rendered":"<p>At the end of the piece two exhibits below, I wrote that I would depend on <i>Rifftides<\/i> readers to tell us about the Emil Viklick\u00c3\u00bd-Scott Robinson concert the night before last. Even better, journalist and blogger Michael Steinman took his video camera to the Bohemian National Hall of the Czech Center in New York.<br \/>\nViklick\u00c3\u00bd played a lovely Petrof grand piano. Robinson used only three of the instruments from his armory&#151;soprano and tenor saxophones and euphonium. No ophicleide or slide soprano this time. Thanks to Mr. Steinman, here are two pieces from the concert of January 5, 2011. In his introduction to the first, Robinson talks about the pair&#8217;s long friendship. He is at a distance from the camera&#8217;s microphone; you may want to temporarily increase the volume of your speakers.<\/p>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/rwsb3g8GOW4?fs=1&amp;hl=en_US&amp;rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/rwsb3g8GOW4?fs=1&amp;hl=en_US&amp;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/embed><\/object><\/div>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/Afxf4cWA0Uc?fs=1&amp;hl=en_US&amp;rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/Afxf4cWA0Uc?fs=1&amp;hl=en_US&amp;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/embed><\/object><\/div>\n<p>For all nine videos from the concert, <a href=\"http:\/\/www.youtube.com\/results?search_query=Emil+Viklicky+and+Scott+Robinson&#038;aq=f\"target=\"_blank\">go here<\/a>. To explore Michael Steinman&#8217;s YouTube channel, <a href=\"http:\/\/www.youtube.com\/user\/swingyoucats\"target=\"_blank\">go here<\/a>. You will find previous <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2010\/07\/viklicky_at_the_seasons.html\"target=\"_blank\">Viklick\u00c3\u00bd<\/a> and <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2010\/05\/scott_robinson.html\">Robinson<\/a> posts in the <i>Rifftides<\/i> archives.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At the end of the piece two exhibits below, I wrote that I would depend on Rifftides readers to tell us about the Emil Viklick\u00c3\u00bd-Scott Robinson concert the night before last. Even better, journalist and blogger Michael Steinman took his video camera to the Bohemian National Hall of the Czech Center in New York. Viklick\u00c3\u00bd [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2285","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2285"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2285\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}