{"id":2247,"date":"2010-11-21T12:00:27","date_gmt":"2010-11-21T20:00:27","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2247"},"modified":"2010-11-21T12:00:27","modified_gmt":"2010-11-21T20:00:27","slug":"brubecks_back","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/11\/brubecks_back\/","title":{"rendered":"Brubeck Is Back On The Job"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Brubeck%20facing%20right.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Brubeck facing right.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/11\/Brubeck facing right-thumb-90x113-18094.jpg\" width=\"90\" height=\"113\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a>Dave Brubeck&#8217;s new pacemaker seems to be working. Here&#8217;s a headline from this morning&#8217;s Worcester (MA) <em>Telegram-Gazette<\/em>:<\/p>\n<div style=\"text-align: center;\"><strong><big><big>Brubeck makes up-tempo return<\/big><\/big><\/strong><\/div>\n<div style=\"text-align: center;\"><strong><big>Ticker repaired, pianist keeps beat<\/big><\/strong><\/div>\n<p>To read a review of Friday night&#8217;s concert in Worcester, <a href=\"http:\/\/www.telegram.com\/article\/20101121\/NEWS\/11210483\"target=\"_blank\">go here<\/a>.<br \/>\nWe have found no explanation of why Chris Smith and Cody Cox were substituting for Michael Moore and Randy Jones, Brubeck&#8217;s regular bassist and drummer.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dave Brubeck&#8217;s new pacemaker seems to be working. Here&#8217;s a headline from this morning&#8217;s Worcester (MA) Telegram-Gazette: Brubeck makes up-tempo return Ticker repaired, pianist keeps beat To read a review of Friday night&#8217;s concert in Worcester, go here. We have found no explanation of why Chris Smith and Cody Cox were substituting for Michael Moore [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2247","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2247"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2247\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}