{"id":2197,"date":"2010-10-04T11:02:00","date_gmt":"2010-10-04T18:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2197"},"modified":"2010-10-04T11:02:00","modified_gmt":"2010-10-04T18:02:00","slug":"cd_martin_wind_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/10\/cd_martin_wind_1\/","title":{"rendered":"CD: Martin Wind"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Cover%20Get%20it.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Cover Get it.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/10\/Cover Get it-thumb-130x130-17585.jpg\" width=\"130\" height=\"130\" class=\"mt-image-none\" style=\"\" \/><\/a><br \/>\n<strong>Martin Wind<\/strong>, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FGet-Martin-Quartet-Wind%2Fdp%2FB003BVWSW8%3Fie%3DUTF8%26qid%3D1286168579%26sr%3D1-1&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>Get It?<\/em><\/a> (Laika). The quartet&#8217;s feeling of controlled abandon, symbolized in the cover shot, is notable in the title tune inspired by James Brown. There&#8217;s a sense of slight danger even in the stately treatment of Billy Strayhorn&#8217;s &#8220;Isfahan&#8221; and Wind&#8217;s atmospheric, blues-inflected &#8220;Rainy River.&#8221; The chance-taking is at a high point in Thad Jones&#8217; &#8220;Three and One,&#8221; with a Scott Robinson tenor sax solo that slithers, growls and wails. Wind, Robinson, pianist Bill Cunliffe and drummer Tim Horner are a compelling combination. On two pieces, Wind makes his debut on cello.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Martin Wind, Get It? (Laika). The quartet&#8217;s feeling of controlled abandon, symbolized in the cover shot, is notable in the title tune inspired by James Brown. There&#8217;s a sense of slight danger even in the stately treatment of Billy Strayhorn&#8217;s &#8220;Isfahan&#8221; and Wind&#8217;s atmospheric, blues-inflected &#8220;Rainy River.&#8221; The chance-taking is at a high point in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-2197","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2197"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2197\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}