{"id":2118,"date":"2010-07-12T01:05:00","date_gmt":"2010-07-12T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2118"},"modified":"2010-07-12T01:05:00","modified_gmt":"2010-07-12T08:05:00","slug":"brubeck_company_in_belgium_par_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/07\/brubeck_company_in_belgium_par_1\/","title":{"rendered":"Brubeck &#038; Company In Belgium, Part 2"},"content":{"rendered":"<p>This time, Dave Brubeck, Paul Desmond, Gene Wright and Joe Morello play &#8220;In Your Own Sweet Way.&#8221; Because of the quality of the song, the quartet&#8217;s  popularity and the Miles Davis seal of approval, by the time of this performance in 1964 it was a jazz standard. Attention, tune detectives: Brubeck&#8217;s Matt Dennis quote suggests that he might have been thinking of disbanding, but the quartet&#8217;s dissolution was five years away.<\/p>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/2aHGMDf42lw&amp;hl=en_US&amp;fs=1?rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/2aHGMDf42lw&amp;hl=en_US&amp;fs=1?rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/embed><\/object><\/div>\n<p>For the first part of this mini-series, see the July 10 entry below. There is more to come.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This time, Dave Brubeck, Paul Desmond, Gene Wright and Joe Morello play &#8220;In Your Own Sweet Way.&#8221; Because of the quality of the song, the quartet&#8217;s popularity and the Miles Davis seal of approval, by the time of this performance in 1964 it was a jazz standard. Attention, tune detectives: Brubeck&#8217;s Matt Dennis quote suggests [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2118","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2118"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2118\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}