{"id":2117,"date":"2010-07-10T16:09:50","date_gmt":"2010-07-10T23:09:50","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2117"},"modified":"2010-07-10T16:09:50","modified_gmt":"2010-07-10T23:09:50","slug":"brubeck_company_in_belgium_par","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/07\/brubeck_company_in_belgium_par\/","title":{"rendered":"Brubeck &#038; Company In Belgium, Part 1"},"content":{"rendered":"<p>Concert videos from out of the past continue to materialize on the internet. Recent emanations include several pieces from a 1964 appearance in Belgium by the classic Dave Brubeck Quartet. The excellent picture and sound quality and the absence of applause suggest that the performances were in a television broadcast. Over the next few days, we will bring you several of the clips, beginning with &#8220;Three to Get Ready.&#8221; It has a couple of rough edges, but with a band that had this much fun, who cares? Here is an unexpected bit of living history with Brubeck, Paul Desmond, Gene Wright and Joe Morello. Desmond&#8217;s &#8220;Auld Lang Syne&#8221; gag was still fresh enough to amuse his co-conspirators.<\/p>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/KuPwLP8wGi4&amp;hl=en_US&amp;fs=1?rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/KuPwLP8wGi4&amp;hl=en_US&amp;fs=1?rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/embed><\/object><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Concert videos from out of the past continue to materialize on the internet. Recent emanations include several pieces from a 1964 appearance in Belgium by the classic Dave Brubeck Quartet. The excellent picture and sound quality and the absence of applause suggest that the performances were in a television broadcast. Over the next few days, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2117","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2117"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2117\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}