{"id":2078,"date":"2010-06-10T09:36:49","date_gmt":"2010-06-10T16:36:49","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2078"},"modified":"2010-06-10T09:36:49","modified_gmt":"2010-06-10T16:36:49","slug":"more_from_holland","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/06\/more_from_holland\/","title":{"rendered":"More From Holland"},"content":{"rendered":"<p>The <em>Rifftides<\/em> staff is feverishly preparing a new batch of Doug&#8217;s Picks. (Well, all right, langorously preparing.) In the meantime, part three of that 1972 Brubeck concert in Rotterdam has appeared. If you have missed the previous installments, it&#8217;s the Brubeck Trio with Jack Six, bass, and Alan Dawson, drums. Gerry Mulligan and Paul Desmond were guests on the Newport Jazz Festival tour. Here is &#8220;Take the &#8216;A&#8217; Train,&#8221; with notably muscular solos by Mulligan and Brubeck and Desmond in contrast with floating long tones.<\/p>\n<div style=\"text-align: center;\"><object width=\"480\" height=\"385\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/VFo1iBXpZ5Y&#038;hl=en_US&#038;fs=1&#038;rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/VFo1iBXpZ5Y&#038;hl=en_US&#038;fs=1&#038;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"480\" height=\"385\"><\/embed><\/object><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Rifftides staff is feverishly preparing a new batch of Doug&#8217;s Picks. (Well, all right, langorously preparing.) In the meantime, part three of that 1972 Brubeck concert in Rotterdam has appeared. If you have missed the previous installments, it&#8217;s the Brubeck Trio with Jack Six, bass, and Alan Dawson, drums. Gerry Mulligan and Paul Desmond [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2078","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2078"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2078\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}