{"id":2073,"date":"2010-06-03T09:56:06","date_gmt":"2010-06-03T16:56:06","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2073"},"modified":"2010-06-03T09:56:06","modified_gmt":"2010-06-03T16:56:06","slug":"the_sincerest_form","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/06\/the_sincerest_form\/","title":{"rendered":"&#8230;The Sincerest Form"},"content":{"rendered":"<p>Bill Mays, on tour in Japan, sent a link to a Japanese web log called&#8230;<br \/>\n<strong><big>Rifftide:\u00e5\u00be\u0152\u00e8\u2014\u00a4 \u00e8\u00aa\u00a0\u00e3\u0081\u00aeJAZZ and other matters..<\/big><\/strong><br \/>\nWhat a surprise. The blog seems to be operated by someone identified as Makotogotoh.  If you <a href=\"http:\/\/rifftide.exblog.jp\/10738357\/\"target=\"_blank\">go there<\/a>&#151;and if you know Japanese&#151;you can read a review of a Mays performance with the guitarist Yoshiaki Masuo.<br \/>\nThe more blogs the merrier, I guess; and good names are so hard to come by.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bill Mays, on tour in Japan, sent a link to a Japanese web log called&#8230; Rifftide:\u00e5\u00be\u0152\u00e8\u2014\u00a4 \u00e8\u00aa\u00a0\u00e3\u0081\u00aeJAZZ and other matters.. What a surprise. The blog seems to be operated by someone identified as Makotogotoh. If you go there&#151;and if you know Japanese&#151;you can read a review of a Mays performance with the guitarist Yoshiaki Masuo. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2073","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2073"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2073\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}