{"id":2032,"date":"2010-04-19T01:05:00","date_gmt":"2010-04-19T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2032"},"modified":"2010-04-19T01:05:00","modified_gmt":"2010-04-19T08:05:00","slug":"cd_joe_martin","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/04\/cd_joe_martin\/","title":{"rendered":"CD: Joe Martin"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Martin%2C%20Not%20By%20Chance.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Martin, Not By Chance.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/04\/Martin, Not By Chance-thumb-110x110-14679.jpg\" width=\"110\" height=\"110\" class=\"mt-image-none\" style=\"\" \/><\/a><strong>Joe Martin<\/strong>, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FNot-Chance-Joe-Martin%2Fdp%2FB002HQWQES%3Fie%3DUTF8%26s%3Dmusic%26qid%3D1254890366%26sr%3D1-1&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>Not By Chance<\/em><\/a> (Anzic). At the outset, bassist Martin&#8217;s album has the air of Downtown New York Generic, but the quality of the musicians and the playing soon kicks it into uniqueness. By the time they reach the ballad &#8220;A Dream,&#8221; Martin, saxophonist Chris Potter, pianist Brad Mehldau and drummer Marcus Gilmore have the listener fully involved for the rest of the seventy minutes. Martin augments his eight nicely made compositions with &#8220;The Balloon Song,&#8221; a Jaco Pastorius piece featuring Potter, sinuous and playful, on bass clarinet.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joe Martin, Not By Chance (Anzic). At the outset, bassist Martin&#8217;s album has the air of Downtown New York Generic, but the quality of the musicians and the playing soon kicks it into uniqueness. By the time they reach the ballad &#8220;A Dream,&#8221; Martin, saxophonist Chris Potter, pianist Brad Mehldau and drummer Marcus Gilmore have [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-2032","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2032"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2032\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}