{"id":2010,"date":"2010-03-24T17:08:07","date_gmt":"2010-03-25T00:08:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=2010"},"modified":"2010-03-24T17:08:07","modified_gmt":"2010-03-25T00:08:07","slug":"spring_in_the_south_40","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/03\/spring_in_the_south_40\/","title":{"rendered":"Spring In The South 40"},"content":{"rendered":"<div style=\"text-align: center;\">Apricot blossoms and daffodils.<\/div>\n<p><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Spring%202010.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Spring 2010.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/03\/Spring 2010-thumb-350x262-14278.jpg\" width=\"350\" height=\"262\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0 auto 20px;\" \/><\/a><br \/>\nAll right, it isn&#8217;t 40 acres, and we don&#8217;t have a mule. We&#8217;ll settle for this.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Apricot blossoms and daffodils. All right, it isn&#8217;t 40 acres, and we don&#8217;t have a mule. We&#8217;ll settle for this.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2010","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2010"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2010\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}