{"id":201,"date":"2005-10-20T11:30:47","date_gmt":"2005-10-20T18:30:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=201"},"modified":"2005-10-20T11:30:47","modified_gmt":"2005-10-20T18:30:47","slug":"skull_session_the_jazz_audienc","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/10\/skull_session_the_jazz_audienc\/","title":{"rendered":"Skull Session: The Jazz Audience"},"content":{"rendered":"<p>I am in Seattle to help fire the opening shot of the Earshot Jazz Festival, <a href=\"http:\/\/www.earshot.org\/fest\/artistinfo\/jazzjournalists.html\"target=\"_blank\">a discussion about the jazz audience<\/a> and what might be done to expand it. I have reservations about the premise of the second part of that proposition, but I look forward to learning from my fellow panelists. Admittance is free. A cynic might say that you get what you pay for.<br \/>\nThis massive city-wide festival includes Bill Charlap, Jason Moran, Robert Glasper, Patricia Barber, Ravi Coltrane and Luciana Souza, among dozens, maybe hundreds, of other musicians. For a schedule, <a href=\"http:\/\/www.earshot.org\/fest\/schedule.html\"target=\"_blank\">go here<\/a>. I wish that I could stay around for all eighteen days of it, but obligations elsewhere are calling.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I am in Seattle to help fire the opening shot of the Earshot Jazz Festival, a discussion about the jazz audience and what might be done to expand it. I have reservations about the premise of the second part of that proposition, but I look forward to learning from my fellow panelists. Admittance is free. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-201","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=201"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/201\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}