{"id":1999,"date":"2010-03-09T22:24:45","date_gmt":"2010-03-10T06:24:45","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1999"},"modified":"2010-03-09T22:24:45","modified_gmt":"2010-03-10T06:24:45","slug":"compatible_quotes_ornette_cole","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/03\/compatible_quotes_ornette_cole\/","title":{"rendered":"Compatible Quotes: Ornette Coleman"},"content":{"rendered":"<blockquote><p><em>It was when I found out I could make mistakes that I knew I was on to something<\/em>. &#8211; Ornette Coleman<\/p><\/blockquote>\n<blockquote><p><em>Jazz is the only music in which the same note can be played night after night but differently each time<\/em>. &#8211; Ornette Coleman<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>It was when I found out I could make mistakes that I knew I was on to something. &#8211; Ornette Coleman Jazz is the only music in which the same note can be played night after night but differently each time. &#8211; Ornette Coleman<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1999","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1999"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1999\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}