{"id":1994,"date":"2010-03-05T01:05:00","date_gmt":"2010-03-05T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1994"},"modified":"2010-03-05T01:05:00","modified_gmt":"2010-03-05T09:05:00","slug":"your_new_recommendations_are_h","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/03\/your_new_recommendations_are_h\/","title":{"rendered":"Your New Recommendations Are Here"},"content":{"rendered":"<p>The latest selection of <strong>Doug&#8217;s Picks<\/strong> is posted in the center column, featuring a treasured vocal-piano collaboration, a new young trumpeter, an old free jazz band, a bassist at the helm of an exciting quartet, and a book that recaptures a special place at the end of New York&#8217;s last golden age of jazz.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The latest selection of Doug&#8217;s Picks is posted in the center column, featuring a treasured vocal-piano collaboration, a new young trumpeter, an old free jazz band, a bassist at the helm of an exciting quartet, and a book that recaptures a special place at the end of New York&#8217;s last golden age of jazz.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1994","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1994"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1994\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}