{"id":1993,"date":"2010-03-05T01:02:00","date_gmt":"2010-03-05T09:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1993"},"modified":"2010-03-05T01:02:00","modified_gmt":"2010-03-05T09:02:00","slug":"dvd_martin_wind","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/03\/dvd_martin_wind\/","title":{"rendered":"DVD: Martin Wind"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Wind%20Baltica.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Wind Baltica.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/03\/Wind Baltica-thumb-120x178-13738.jpg\" width=\"120\" height=\"178\" class=\"mt-image-none\" style=\"\" \/><\/a><strong>Martin Wind New York Quartet<\/strong>, <a href=\"http:\/\/martinwind.com\/recordings\/recordings.htm\"target=\"_blank\"><em>Live At Jazz Baltica<\/em><\/a> (Jazz Baltica). Bassist Wind returned to his native land in 2008 for Germany&#8217;s Jazz Baltica Festival in Schleswig-Holstein. With the addition of the astonishing multi-instrumentalist Scott Robinson, the Bill Mays Trio with Wind and drummer Matt Wilson became the Wind quartet. The vigor, ingenuity and camaraderie among the musicians reach a peak in &#8220;Remember October 13th,&#8221; with Robinson&#8217;s bass clarinet alternating between the joy of unbridled freedom and the profundity of the blues. Bill Evans&#8217; &#8220;Turn Out the Stars&#8221; is another highlight. Camera work, sound and direction are beautifully realized.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Martin Wind New York Quartet, Live At Jazz Baltica (Jazz Baltica). Bassist Wind returned to his native land in 2008 for Germany&#8217;s Jazz Baltica Festival in Schleswig-Holstein. With the addition of the astonishing multi-instrumentalist Scott Robinson, the Bill Mays Trio with Wind and drummer Matt Wilson became the Wind quartet. The vigor, ingenuity and camaraderie [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1993","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1993"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1993\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}