{"id":1984,"date":"2010-02-25T01:04:00","date_gmt":"2010-02-25T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1984"},"modified":"2010-02-25T01:04:00","modified_gmt":"2010-02-25T09:04:00","slug":"compatible_quotes_language","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/02\/compatible_quotes_language\/","title":{"rendered":"Compatible Quotes: Language"},"content":{"rendered":"<blockquote><p><em>The finest language is mostly made up of simple unimposing words<\/em>. &#8212; George Eliot<\/p><\/blockquote>\n<blockquote><p><em>But if thought corrupts language, language can also corrupt thought<\/em>. &#8212; George Orwell<\/p><\/blockquote>\n<blockquote><p><em>What words say does not last.  The words last.  Because words are always the same, and what they say is never the same. <\/em> &#8212; Antonio Porchia, <em>Voces<\/em>, 1943, translated from Spanish by W.S. Merwin<\/p><\/blockquote>\n<blockquote><p><em>I wonder what language truck drivers are using, now that everyone is using theirs<\/em>? &#8212; Beryl Pfizer<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>The finest language is mostly made up of simple unimposing words. &#8212; George Eliot But if thought corrupts language, language can also corrupt thought. &#8212; George Orwell What words say does not last. The words last. Because words are always the same, and what they say is never the same. &#8212; Antonio Porchia, Voces, 1943, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1984","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1984"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1984\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}