{"id":1981,"date":"2010-02-24T11:39:02","date_gmt":"2010-02-24T19:39:02","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1981"},"modified":"2010-02-24T11:39:02","modified_gmt":"2010-02-24T19:39:02","slug":"a_sound_decision_for_abbey_roa","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/02\/a_sound_decision_for_abbey_roa\/","title":{"rendered":"A Sound Decision For Abbey Road"},"content":{"rendered":"<p>It seems there&#8217;s a new development every day in the saga of London&#8217;s Abbey Road Studios. Today, the building is off the block &#8211; if it was ever on &#8211; saved by designation as a part of history. The<em> Los Angeles Times<\/em> <a href=\"http:\/\/www.latimes.com\/entertainment\/news\/sns-ap-eu-britain-abbey-road,0,6190725.story\"taget=\"_blank\">has the story<\/a> with a splendid recent photograph of the building and the crosswalk the Beatles made famous.<br \/>\nWhy does <em>Rifftides<\/em> care? Scroll down to &#8220;Studios And Sound,&#8221; February 21.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It seems there&#8217;s a new development every day in the saga of London&#8217;s Abbey Road Studios. Today, the building is off the block &#8211; if it was ever on &#8211; saved by designation as a part of history. The Los Angeles Times has the story with a splendid recent photograph of the building and the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1981","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1981"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1981\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}