{"id":1979,"date":"2010-02-24T01:05:00","date_gmt":"2010-02-24T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1979"},"modified":"2010-02-24T01:05:00","modified_gmt":"2010-02-24T09:05:00","slug":"the_village_vanguard_at_75","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/02\/the_village_vanguard_at_75\/","title":{"rendered":"The Village Vanguard At 75"},"content":{"rendered":"<p>The Village Vanguard is observing its 75th anniversary this week. Joe Lovano and the band he calls Us Five are playing there through Sunday. I wish that I could attend. But I <a href=\"http:\/\/www.artsjournal.com\/rifftides\/vanguardsplash.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"vanguardsplash.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/02\/vanguardsplash-thumb-130x231-13433.jpg\" width=\"130\" height=\"231\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a>shouldn&#8217;t be greedy; in my New York years, I was fortunate to be in the club often. I heard music there that echoes in my mind to this day. Frequently on Monday nights, I wrapped up the newscast, jumped into a cab and headed for the Vanguard. That&#8217;s a night off for many musicians, and anyone might have shown up for the <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FLive-Village-Vanguard-Jones-Lewis%2Fdp%2FB0009IW9SE%3Fie%3DUTF8%26s%3Dmusic%26qid%3D1266992233%26sr%3D1-2&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\">Thad Jones-Mel Lewis band<\/a> in its weekly gig. Gene Ammons sat in one Monday when I was there, Sonny Rollins another. I missed the night in 1981, after the band had become the Mel Lewis Jazz Orchestra, when Miles Davis successively borrowed all the horns in the trumpet section and played on Jones&#8217;s &#8220;Second Race.&#8221; With or without a surprise guest, that band was a joy. Both of its its founders are gone and it is still a joy&#8230;every Monday night at the Vanguard.<br \/>\nIt was a pleasure to hang out during the breaks with the musicians at the bar or in the kitchen and to chat with Max Gordon. Max started the club in 1935 because he<a href=\"http:\/\/www.artsjournal.com\/rifftides\/Max%20%26%20Lorraine%20Gordon.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Max &amp; Lorraine Gordon.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/02\/Max &amp; Lorraine Gordon-thumb-130x97-13435.jpg\" width=\"130\" height=\"97\" class=\"mt-image-right\" style=\"float: right; margin: 0 0 20px 20px;\" \/><\/a> wanted a place where poets could read their work. Jazz came to the club later. On National Public Radio, Lara Pellegrinelli told a brief history of the Vanguard, Max and Lorraine Gordon (pictured) and some of the musicians who made a cultural institution of a triangular room in a New York Seventh Avenue basement. To read and hear her report, including the story of the foodless kitchen,<a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=124010075\"target=\"_blank\"> go here<\/a>.<br \/>\nHappy birthday, Village Vanguard, and many more.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Village Vanguard is observing its 75th anniversary this week. Joe Lovano and the band he calls Us Five are playing there through Sunday. I wish that I could attend. But I shouldn&#8217;t be greedy; in my New York years, I was fortunate to be in the club often. I heard music there that echoes [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1979","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1979","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1979"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1979\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1979"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1979"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}