{"id":1975,"date":"2010-02-22T01:05:00","date_gmt":"2010-02-22T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1975"},"modified":"2010-02-22T01:05:00","modified_gmt":"2010-02-22T09:05:00","slug":"studios_and_sound_followup","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/02\/studios_and_sound_followup\/","title":{"rendered":"Studios And Sound: Followup"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/rifftides\/time_machine2.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"time_machine2.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/02\/time_machine2-thumb-120x144-13360.jpg\" width=\"120\" height=\"144\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a>For more on the sound quality issues raised in the following exhibit (February 21), see the comments that piece has stimulated (click on the <strong>Comments<\/strong> button at the end of the item). Also, <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2008\/01\/roy_dunann_update.html\"target=\"_blank\">go here<\/a> for a golden oldie updating news about Roy DuNann, a late-20th-century hero of recorded sound. That post, in turn, will link you back to the original DuNann installment from March, 2007. Welcome to the <em>Rifftides<\/em> time machine.<br \/>\nThe staff looks forward to your comments on current and past entries.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For more on the sound quality issues raised in the following exhibit (February 21), see the comments that piece has stimulated (click on the Comments button at the end of the item). Also, go here for a golden oldie updating news about Roy DuNann, a late-20th-century hero of recorded sound. That post, in turn, will [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1975","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1975"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1975\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}