{"id":1973,"date":"2010-02-19T19:45:00","date_gmt":"2010-02-20T03:45:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1973"},"modified":"2010-02-19T19:45:00","modified_gmt":"2010-02-20T03:45:00","slug":"speaking_of_new_orleans_astral","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/02\/speaking_of_new_orleans_astral\/","title":{"rendered":"Speaking Of New Orleans: Astral Project"},"content":{"rendered":"<p>If it has been a while since you&#8217;ve heard these exemplars of modern New Orleans music, now in their 32nd year, here&#8217;s your chance. It&#8217;s <a href=\"http:\/\/www.astralproject.com\/old\/index.html\"target=\"_blank\">Astral Project<\/a> on the road last fall at the Artists Quarter in St. Paul, Minnesota. The band is Tony Dagradi, tenor (and at the end soprano) saxophone; Steve Masakowski, guitar; James Singleton, bass; Johnny Vidacovich, drums. The name of the post-Katrina piece is &#8220;Dike Finger.&#8221; Think about it.<\/p>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/M97Mw8zctBM&#038;hl=en_US&#038;fs=1&#038;rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/M97Mw8zctBM&#038;hl=en_US&#038;fs=1&#038;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/embed><\/object><\/div>\n","protected":false},"excerpt":{"rendered":"<p>If it has been a while since you&#8217;ve heard these exemplars of modern New Orleans music, now in their 32nd year, here&#8217;s your chance. It&#8217;s Astral Project on the road last fall at the Artists Quarter in St. Paul, Minnesota. The band is Tony Dagradi, tenor (and at the end soprano) saxophone; Steve Masakowski, guitar; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1973","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1973"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1973\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}