{"id":1962,"date":"2010-02-08T17:06:30","date_gmt":"2010-02-09T01:06:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1962"},"modified":"2010-02-08T17:06:30","modified_gmt":"2010-02-09T01:06:30","slug":"keep_an_ear_out_for_gadi_lehav","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/02\/keep_an_ear_out_for_gadi_lehav\/","title":{"rendered":"Keep An Ear Out For Gadi Lehavi"},"content":{"rendered":"<p>With fairness, it could be charged that <em>Rifftides<\/em> has been too concerned lately with the old and the dead. Well, certain observances and acknowledgements needed to be made. But let&#8217;s move on. David Liebman wrote with an antidote. Here&#8217;s his message:<\/p>\n<blockquote><p>ok&#8211;it&#8217;s a cliche now that &#8220;they&#8221;(meaning the kids) get better earlier-check this out&#8211;he&#8217;s already doing classical stuff since he was a babe&#8211;jazz for two years&#8211;Ravi (Coltrane) turned me on to him before I went to Israel a few weeks ago<br \/>\n13 yr old from Tel Aviv in a club there&#8211;just jamming<br \/>\nwhat&#8217;s next, out of the womb burning or what?<\/p><\/blockquote>\n<p>The 13-year-old&#8217;s name is Gadi Lehavi. Now you know about as much about him as I do, except for how he plays &#8220;Autumn Leaves&#8221; with Dave Liebman. Here they are, less than a month ago.<\/p>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/zvA4ztA7nzs&amp;hl=en_US&amp;fs=1&amp;rel=0\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/zvA4ztA7nzs&amp;hl=en_US&amp;fs=1&amp;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/object><\/div>\n","protected":false},"excerpt":{"rendered":"<p>With fairness, it could be charged that Rifftides has been too concerned lately with the old and the dead. Well, certain observances and acknowledgements needed to be made. But let&#8217;s move on. David Liebman wrote with an antidote. Here&#8217;s his message: ok&#8211;it&#8217;s a cliche now that &#8220;they&#8221;(meaning the kids) get better earlier-check this out&#8211;he&#8217;s already [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1962","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1962"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1962\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}