{"id":196,"date":"2005-10-01T10:21:00","date_gmt":"2005-10-01T17:21:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=196"},"modified":"2005-10-01T10:21:00","modified_gmt":"2005-10-01T17:21:00","slug":"names","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/10\/names\/","title":{"rendered":"Names"},"content":{"rendered":"<p>Old friend Bob Godfrey, retired drummer and retail record entrepeneur, was prompted by <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2005\/09\/freds_still_ahe_1.html\"target=\"_blank\">Freddie Schreiber&#8217;s silly names<\/a> to observe:<\/p>\n<blockquote><p>You may have opened up a can of worms.<\/p><\/blockquote>\n<p>Then, he proves it.<\/p>\n<blockquote><p>Todd L. Entown<\/p><\/blockquote>\n<blockquote><p>Wynn Abaygo<\/p><\/blockquote>\n<blockquote><p>Rick O&#8217;Shay<\/p><\/blockquote>\n<blockquote><p>Dick  Tatorial<\/p><\/blockquote>\n<p>Unretired vibraharpist and concert entrepeneur <a href=\"http:\/\/talsanmusic.com\/charlie\/\"target=\"_blank\">Charlie Shoemake<\/a> offers:<\/p>\n<blockquote><p>Otto Nowhere<\/p><\/blockquote>\n<p>Hey, I don&#8217;t write these things; I just pass &#8217;em along.<br \/>\nQUOTE<\/p>\n<blockquote><p><em>Those rugged names to our like mouths grow sleek<\/em>\u00e2\u20ac\u201dMilton<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Old friend Bob Godfrey, retired drummer and retail record entrepeneur, was prompted by Freddie Schreiber&#8217;s silly names to observe: You may have opened up a can of worms. Then, he proves it. Todd L. Entown Wynn Abaygo Rick O&#8217;Shay Dick Tatorial Unretired vibraharpist and concert entrepeneur Charlie Shoemake offers: Otto Nowhere Hey, I don&#8217;t write [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-196","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=196"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/196\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}