{"id":1958,"date":"2010-02-05T12:31:59","date_gmt":"2010-02-05T20:31:59","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1958"},"modified":"2010-02-05T12:31:59","modified_gmt":"2010-02-05T20:31:59","slug":"other_places_the_jazz_side_of","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/02\/other_places_the_jazz_side_of\/","title":{"rendered":"Other Places: The Jazz Side Of Haydn"},"content":{"rendered":"<p>In today&#8217;s <em>New York Times<\/em>, classical music critic Steve Smith gives an account of a rare encounter between improvising jazz musicians and a work of Franz Josef Haydn. To read it, <a href=\"http:\/\/www.nytimes.com\/2010\/02\/05\/arts\/music\/05quartet.html?emc=eta1\" target=\"_blank\">go here.  <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In today&#8217;s New York Times, classical music critic Steve Smith gives an account of a rare encounter between improvising jazz musicians and a work of Franz Josef Haydn. To read it, go here.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1958","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1958"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1958\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1958"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}