{"id":1946,"date":"2010-01-24T01:04:00","date_gmt":"2010-01-24T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1946"},"modified":"2010-01-24T01:04:00","modified_gmt":"2010-01-24T09:04:00","slug":"cdeddie_thompson_and_brad_terr","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/01\/cdeddie_thompson_and_brad_terr\/","title":{"rendered":"CD:Eddie Thompson And Brad Terry"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Thompson%2C%20Terry.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Thompson, Terry.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/01\/Thompson, Terry-thumb-120x120-12726.jpg\" width=\"120\" height=\"120\" class=\"mt-image-none\" style=\"\" \/><\/a><strong>Eddie Thompson and Brad Terry<\/strong>, <em>Eddie and Me <\/em>(Living Room). Thompson, a blind British pianist, spent ten years in the US before he returned home in 1972. He performed often around New York with Terry, a peripatetic clarinetist whose brilliant work would be better known if he had pursued a conventional career. This album, finally reissued on CD, captures their empathy, harmonic audacity and wit. It is available as a download <a href=\"http:\/\/www.cdbaby.com\/cd\/ethompsonbterry\"target=\"_blank\">here<\/a> and as a CD by <a href=\"mailto:livingroomrecords@ymail.com\"target=\"_blank\">e-mailing here<\/a>.  Full disclosure: I wrote a pro bono blurb for the package. And I&#8217;d do it again.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eddie Thompson and Brad Terry, Eddie and Me (Living Room). Thompson, a blind British pianist, spent ten years in the US before he returned home in 1972. He performed often around New York with Terry, a peripatetic clarinetist whose brilliant work would be better known if he had pursued a conventional career. This album, finally [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1946","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1946"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1946\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}