{"id":1940,"date":"2010-01-14T23:11:09","date_gmt":"2010-01-15T07:11:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1940"},"modified":"2010-01-14T23:11:09","modified_gmt":"2010-01-15T07:11:09","slug":"jazz_masters_honored","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/01\/jazz_masters_honored\/","title":{"rendered":"Jazz Masters Honored"},"content":{"rendered":"<p>Wednesday night, the 2010 NEA Jazz Master awards went to pianists Kenny Barron, Cedar Walton and Muhal Richard Abrams; arranger, composer and band leader Bill Holman; saxophonist and flutist Yusef Lateef; vibrahaphonist Bobby Hutcherson; singer <a href=\"http:\/\/www.artsjournal.com\/rifftides\/Annie%20Ross.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Annie Ross.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/01\/Annie Ross-thumb-130x143-12573.jpg\" width=\"130\" height=\"143\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a>Annie Ross (pictured at the ceremony); and record producer George Avakian. They received their medals and checks in a National Endowment For The Arts ceremony at Lincoln Center. To read accounts of the event by <a href=\"http:\/\/www.nytimes.com\/2010\/01\/14\/arts\/music\/14jazz.html\"target=\"_blank\">Nate Chinen<\/a> of The New York Times and my <em>artsjournal.com<\/em> colleague <a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/beyond_jazz_conventions_from_n.html\"target=\"_blank\">Howard Mandel<\/a>, click on their names in this sentence.<br \/>\nCongratulations to all of the recipients.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wednesday night, the 2010 NEA Jazz Master awards went to pianists Kenny Barron, Cedar Walton and Muhal Richard Abrams; arranger, composer and band leader Bill Holman; saxophonist and flutist Yusef Lateef; vibrahaphonist Bobby Hutcherson; singer Annie Ross (pictured at the ceremony); and record producer George Avakian. They received their medals and checks in a National [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1940","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1940"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1940\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}