{"id":1938,"date":"2010-01-15T07:45:00","date_gmt":"2010-01-15T15:45:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1938"},"modified":"2010-01-15T07:45:00","modified_gmt":"2010-01-15T15:45:00","slug":"other_places_moody_in_detroit","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/01\/other_places_moody_in_detroit\/","title":{"rendered":"Other Places: It&#8217;s Moody In Detroit"},"content":{"rendered":"<p>James Moody is in Detroit this week. Mark Stryker, the music critic of <em>The Detroit Free Press<\/em>, heralded the event with a column that begins:<\/p>\n<blockquote><p>James Moody is my hero, and he should be yours. At 84, the irrepressible saxophonist and flutist remains a ferociously creative musician, playing with passion, energy and a sense of wonder at the endless possibilities of music.<\/p><\/blockquote>\n<p>Stryker provides a sketch of Moody&#8217;s career, then a section that includes this exchange:<\/p>\n<blockquote><p><strong>Q:<\/strong> Do you practice every day?<br \/>\n<strong>A:<\/strong> I try to. If I don&#8217;t, I get a little cranky.<\/p><\/blockquote>\n<p>A sidebar to the column describes a few recommended Moody albums. To read the whole thing, <a href=\"http:\/\/www.freep.com\/article\/20100110\/ENT04\/1100336\/1035\/Ent\/James-Moody-jazzman\"target=\"_blank\">go here<\/a>.<br \/>\nMark Stryker sent a couple of Moody anecdotes as <em>Rifftides<\/em> supplements to his column.<\/p>\n<blockquote><p>I heard two stories in recent days that encapsulate Moody&#8217;s lifelong approach to learning and evolving as a musician. <a href=\"http:\/\/www.daveliebman.com\/home.php\"target=\"_blank\">Dave Liebman<\/a> told<a href=\"http:\/\/www.artsjournal.com\/rifftides\/Moody%20smiling.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Moody smiling.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2010\/01\/Moody smiling-thumb-110x115-12578.jpg\" width=\"110\" height=\"115\" class=\"mt-image-right\" style=\"float: right; margin: 0 0 20px 20px;\" \/><\/a> me that one of his early tours with Elvin Jones was part of package with a Giants of Jazz group that included Moody. Moody comes to the back of the bus to ask Liebman and fellow saxophonist <a href=\"http:\/\/en.wikipedia.org\/wiki\/Steve_Grossman_(saxophonist)\"target=\"_blank\">Steve Grossman<\/a> to write out some stuff for him. At one point, Illinois Jacquet turns around and shouts something like, &#8220;They ain&#8217;t into nuthin'&#8221; &#8212; at which point Moody says to them, &#8220;Don&#8217;t listen to moldy figs.&#8221;<br \/>\nThen <a href=\"http:\/\/en.wikipedia.org\/wiki\/James_Carter_(musician)\"target=\"_blank\">James Carter<\/a> told me he was on a tour once with Moody and every day it was, &#8220;You show me something on the horn and I&#8217;ll show you something.&#8221; Those two stories occurred some 30 years apart.<\/p><\/blockquote>\n<p>The <em>Rifftides<\/em> staff thanks Mr. Stryker.<br \/>\nFor a sample of Moody&#8217;s energy, sound and harmonic inventiveness, here is a performance of Dizzy Gillespie&#8217;s &#8220;Ow&#8221; at a Swiss festival in 1985, when Moody was a mere 60 years old. The composer is on trumpet. The bassist is Ray Brown, who was on Gillespie&#8217;s 1940s big band with Moody. Gene Harris is the pianist, Grady Tate the drummer.<\/p>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/tgVeMNG7dZc&#038;hl=en_US&#038;fs=1&#038;rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/tgVeMNG7dZc&#038;hl=en_US&#038;fs=1&#038;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/embed><\/object><\/div>\n","protected":false},"excerpt":{"rendered":"<p>James Moody is in Detroit this week. Mark Stryker, the music critic of The Detroit Free Press, heralded the event with a column that begins: James Moody is my hero, and he should be yours. At 84, the irrepressible saxophonist and flutist remains a ferociously creative musician, playing with passion, energy and a sense of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1938","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1938"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1938\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}