{"id":1937,"date":"2010-01-13T01:06:00","date_gmt":"2010-01-13T09:06:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1937"},"modified":"2010-01-13T01:06:00","modified_gmt":"2010-01-13T09:06:00","slug":"compatible_quotes_the_tenor_sa","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/01\/compatible_quotes_the_tenor_sa\/","title":{"rendered":"Compatible Quotes: The Tenor Saxophone"},"content":{"rendered":"<blockquote><p><em>I made the tenor sax &#8211; there&#8217;s nobody plays like me and I don&#8217;t play like anybody else<\/em>. &#8211; Coleman Hawkins<\/p><\/blockquote>\n<blockquote><p><em>If you like an instrument that sings, play the saxophone. At its best it&#8217;s like the human voice.<\/em> &#8211; Stan Getz<\/p><\/blockquote>\n<blockquote><p><em>The tenor&#8217;s got that thing, that honk, that you can get to people with.<\/em> &#8211; Ornette Coleman<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>I made the tenor sax &#8211; there&#8217;s nobody plays like me and I don&#8217;t play like anybody else. &#8211; Coleman Hawkins If you like an instrument that sings, play the saxophone. At its best it&#8217;s like the human voice. &#8211; Stan Getz The tenor&#8217;s got that thing, that honk, that you can get to people [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1937","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1937"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1937\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}