{"id":1930,"date":"2010-01-05T01:04:00","date_gmt":"2010-01-05T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1930"},"modified":"2010-01-05T01:04:00","modified_gmt":"2010-01-05T09:04:00","slug":"other_places_hymans_bebop","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/01\/other_places_hymans_bebop\/","title":{"rendered":"Other Places: Hyman&#8217;s Bebop"},"content":{"rendered":"<p>On his <em>JazzWax<\/em> blog, Marc Myers begins a series about pianist Dick Hyman. What a good idea. The first installment of the interview adds a video clip of Hyman and Billy Taylor doing a two-piano duet on &#8220;Hot House.&#8221; If you thought Hyman played only Scott Joplin and James P. Johnson, <a href=\"http:\/\/www.JazzWax.com\/2010\/01\/interview-dick-hyman-part-1.html\"target=\"_blank\">read Marc&#8217;s interview<\/a>, then watch that clip.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On his JazzWax blog, Marc Myers begins a series about pianist Dick Hyman. What a good idea. The first installment of the interview adds a video clip of Hyman and Billy Taylor doing a two-piano duet on &#8220;Hot House.&#8221; If you thought Hyman played only Scott Joplin and James P. Johnson, read Marc&#8217;s interview, then [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1930","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1930"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1930\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}