{"id":1925,"date":"2010-01-01T16:04:58","date_gmt":"2010-01-02T00:04:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1925"},"modified":"2010-01-01T16:04:58","modified_gmt":"2010-01-02T00:04:58","slug":"happy_new_year","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2010\/01\/happy_new_year\/","title":{"rendered":"Happy New Year"},"content":{"rendered":"<p>On a New Years eve in the mid-1960s, my wife and I attended a dance with music by Duke Elllington.  At midnight, Ellington nodded casually and the band concocted a head arrangement of &#8220;Auld Lang Syne&#8221; that <a href=\"http:\/\/www.rhapsody.com\/player?type=track&amp;id=tra.723478&amp;remote=false&amp;page=&amp;pageregion=&amp;guid=&amp;from=&amp;__pcode=\"target=\"_blank\">sounded very much like this<\/a>. As you listen, please accept the wishes of the <em>Rifftides<\/em> staff for a perfect 2010.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On a New Years eve in the mid-1960s, my wife and I attended a dance with music by Duke Elllington. At midnight, Ellington nodded casually and the band concocted a head arrangement of &#8220;Auld Lang Syne&#8221; that sounded very much like this. As you listen, please accept the wishes of the Rifftides staff for a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1925","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1925"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1925\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}