{"id":1916,"date":"2009-12-23T12:35:52","date_gmt":"2009-12-23T20:35:52","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1916"},"modified":"2009-12-23T12:35:52","modified_gmt":"2009-12-23T20:35:52","slug":"brookmeyers_open_country","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/12\/brookmeyers_open_country\/","title":{"rendered":"Brookmeyer&#8217;s &#8220;Open Country&#8221;"},"content":{"rendered":"<p>&#8220;Open Country&#8221; is one of Bob Brookmeyer&#8217;s notable compositions from the 1950s. Here, he plays it with Gerry Mulligan in Mulligan&#8217;s quartet. Wyatt &#8220;Bull&#8221; Ruther is the bassist, Gus Johnson the drummer\/<\/p>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/o7AWpoy68Us&#038;hl=en_US&#038;fs=1&#038;rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/o7AWpoy68Us&#038;hl=en_US&#038;fs=1&#038;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/embed><\/object><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Open Country&#8221; is one of Bob Brookmeyer&#8217;s notable compositions from the 1950s. Here, he plays it with Gerry Mulligan in Mulligan&#8217;s quartet. Wyatt &#8220;Bull&#8221; Ruther is the bassist, Gus Johnson the drummer\/<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1916","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1916"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1916\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}