{"id":1911,"date":"2009-12-20T01:05:00","date_gmt":"2009-12-20T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1911"},"modified":"2009-12-20T01:05:00","modified_gmt":"2009-12-20T09:05:00","slug":"schreibers_names","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/12\/schreibers_names\/","title":{"rendered":"Schreiber’s Names"},"content":{"rendered":"

If you a follower of the occasional Rifftides<\/em> discussions about the music and wit of the late bassist Freddie Schreiber<\/a>, you know that his inventiveness overlapped into name creation. Dean Reilly, the San Francisco bassist who is an admirer of Schreiber on all fronts, provided what appears to be an authentic list of some of the names Freddie invented. Schreiber’s original names inspired imitations that can be found on many web sites. For now, we confine ourselves to a few from the, uh, Dean’s list. Say them aloud.
\nTrumpets:<\/strong>
\nKenny Hackett
\nWillie Cuttett
\nKent Makitt
\nHowie Wales
\nAl Tissimo
\nTrombones:<\/strong>
\nLew Slips
\nAndy Bluett
\nSlide Downs
\nSaxophones:<\/strong>
\nOtto Tune
\nManny Notes
\nFelix Cited
\nJustin Hale
\nRhythm:<\/strong>
\nThelonious Galantown
\nR. Peggio
\nRad McHugh
\nPete Zicatto
\nVocalists:<\/strong>
\nSonia Papermoon
\nHaddie Knownbettor
\nChester Gigolo
\nHugh Jassle
\nCarrie Mace
\nMyra Mance
\nGroupies:<\/strong>
\nFreda Slaves
\nSybil Reitz
\nManuel Lehbah
\nMarsha Dymes
\nBarbara Seville
\nJim Nasium
\nIsaac Cited
\nTyrone Shoelace
\nVarious:<\/strong>
\nHiram Cheap — agent
\nArturo Verceez — booker
\nSacha Deal — booker
\nOliver DeRhode — driver
\nRandolph A. Cliff — backup driver<\/p>\n","protected":false},"excerpt":{"rendered":"

If you a follower of the occasional Rifftides discussions about the music and wit of the late bassist Freddie Schreiber, you know that his inventiveness overlapped into name creation. Dean Reilly, the San Francisco bassist who is an admirer of Schreiber on all fronts, provided what appears to be an authentic list of some of […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1911","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1911"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1911\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}