{"id":1882,"date":"2009-11-23T01:05:00","date_gmt":"2009-11-23T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1882"},"modified":"2009-11-23T01:05:00","modified_gmt":"2009-11-23T09:05:00","slug":"correspondence_carla_bley_and","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/11\/correspondence_carla_bley_and\/","title":{"rendered":"Correspondence: Carla Bley And The Beeb"},"content":{"rendered":"

Not that Rifftides<\/em> intends to become a clearing house for performance announcements, but readers do sometimes send valuable listening information. Jack Kenny writes from London:<\/p>\n

You might want to alert your readers to this. The London Jazz Festival
\nhas just finished. I went to to the Carla concert last week and it is
\nbroadcast tomorrow. It will be online all next week on the BBC
\niPlayer.
\nSadly for your American readers Carla seems to perform more in Europe
\nthan she does in the States.
\nThe following is a quote from the BBC site.<\/p><\/blockquote>\n

Jez Nelson presents a concert given by American pianist, bandleader and
\ncomposer Carla Bley as part of the 2009 London Jazz Festival. Bringing
\nher long-standing quartet The Lost Chords to the Queen Elizabeth Hall,
\nshe combines dexterous musicianship with humorous and original
\ncompositions. The group features renowned British saxophonist Andy
\nSheppard, with leading American jazz musicians Steve Swallow on bass
\nand Billy Drummond on drums.
\n\"Carla<\/a>Bley’s prolific career has spanned four decades and many eclectic projects including Escalator over the Hill, a jazz opera that cemented her reputation as a composer. Bley also pioneered the movement towards independent artist-owned record labels by releasing and distributing her own music in the 1970s. In 2003, The Lost Chords formed out of a longstanding duo project with Steve Swallow, combining four of the major names in contemporary creative improvisation. For details of Radio 3’s coverage of the London Jazz Festival go to:
\nhttp:\/\/www.bbc.co.uk\/radio3\/jazz\/londonjazzfestival\/2009\/<\/a><\/p><\/blockquote>\n

The Rifftides<\/em> staff thanks Mr. Kenny.
\nBy Coincidence<\/big>…<\/strong>
\n…YouTube<\/em><\/em> has just posted Bley’s Lost Chords in performance at Vienna’s splendid Porgy & Bess club. Audio quality is acceptable. The zoom and attempts at focus during Steve Swallow’s solo may induce mild seasickness but, hey, with YouTube<\/em> you get what you pay for. You can always close your eyes. This was November 12.<\/p>\n

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Not that Rifftides intends to become a clearing house for performance announcements, but readers do sometimes send valuable listening information. Jack Kenny writes from London: You might want to alert your readers to this. The London Jazz Festival has just finished. I went to to the Carla concert last week and it is broadcast tomorrow. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1882","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1882"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1882\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}