{"id":1861,"date":"2009-11-01T00:05:00","date_gmt":"2009-11-01T07:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1861"},"modified":"2009-11-01T00:05:00","modified_gmt":"2009-11-01T07:05:00","slug":"the_clifford_brown_film","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/11\/the_clifford_brown_film\/","title":{"rendered":"Weekend Extra: The Clifford Brown Film"},"content":{"rendered":"

The television comic Soupy Sales loved jazz, knew its history and many of its leading players. Early in his career, when he had a local show in Detroit, he frequently presented jazz stars as guests. After Sales died on October 22 at the age of 83, many obituaries mentioned that the only known video of Clifford Brown performing is from a kinescope recording of the Sales show. For decades, it was assumed lost, but Sales found the film in his garage in the mid-1990s. Here is the trumpeter in February, 1956, five months before he died at 26 in an auto crash, playing “Lady Be Good” and “Memories of You.”<\/p>\n

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Study in Brown<\/em><\/a>, mentioned by Clifford in the interview, is one of the important albums by the quintet he led with drummer Max Roach. The Dinah Washington jam session<\/a> with Brown, Roach, Maynard Ferguson, Clark Terry and Herb Geller–among others–is another basic repertoire item for serious jazz listeners.
\nHappy November.<\/div>\n","protected":false},"excerpt":{"rendered":"

The television comic Soupy Sales loved jazz, knew its history and many of its leading players. Early in his career, when he had a local show in Detroit, he frequently presented jazz stars as guests. After Sales died on October 22 at the age of 83, many obituaries mentioned that the only known video of […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1861","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1861","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1861"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1861\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1861"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1861"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}