{"id":1837,"date":"2009-10-08T10:25:03","date_gmt":"2009-10-08T17:25:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1837"},"modified":"2009-10-08T10:25:03","modified_gmt":"2009-10-08T17:25:03","slug":"other_places_stryker_primack_o","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/10\/other_places_stryker_primack_o\/","title":{"rendered":"Other Places: Stryker &#038; Primack on Marcus Belgrave"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Belgrave.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Belgrave.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/10\/Belgrave-thumb-120x79-10566.jpg\" width=\"120\" height=\"79\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a>Trumpeter Marcus Belgrave, admired within jazz circles but little known outside them, has received tangible recognition for his work as a player and a teacher. Belgrave left Ray Charles in the early 1960s ago to settle in Detroit. In today&#8217;s <em>Detroit Free Press<\/em>, Mark Stryker reports on the award and on Belgrave&#8217;s contribution to the city&#8217;s cultural life. Stryker writes:<\/p>\n<blockquote><p>For 46 years, Belgrave&#8217;s world-class musicianship, charisma, swing and commitment to mentoring young musicians &#8212; many of whom have become stars &#8212; have made Detroit a hipper city than it would have been without him.<\/p><\/blockquote>\n<p>To read the whole thing and hear a Belgrave performance with Tommy Flanagan&#8217;s trio, <a href=\"http:\/\/freep.com\/article\/20091008\/ENT04\/910080417\/1039\/Trumpeter-Belgrave-brought-world-class-music-to-Detroit\"target=\"_blank\">go here<\/a>.<br \/>\nThis video profile by Bret Primack supplements Stryker&#8217;s column.<\/p>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/dTFx2fGOJnw&#038;hl=en&#038;fs=1&#038;rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/dTFx2fGOJnw&#038;hl=en&#038;fs=1&#038;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/embed><\/object><\/div>\n<p>For more of Primack&#8217;s profiles, <a href=\"http:\/\/www.planetbret.com\/\"target=\"_blank\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trumpeter Marcus Belgrave, admired within jazz circles but little known outside them, has received tangible recognition for his work as a player and a teacher. Belgrave left Ray Charles in the early 1960s ago to settle in Detroit. In today&#8217;s Detroit Free Press, Mark Stryker reports on the award and on Belgrave&#8217;s contribution to the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1837","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1837"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1837\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}