{"id":1811,"date":"2009-09-02T01:05:00","date_gmt":"2009-09-02T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1811"},"modified":"2009-09-02T01:05:00","modified_gmt":"2009-09-02T08:05:00","slug":"cd_art_pepper_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/09\/cd_art_pepper_1\/","title":{"rendered":"CD: Art Pepper"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/PepperArt%20Cover.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"PepperArt Cover.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/09\/PepperArt Cover-thumb-120x101-9698.jpg\" width=\"120\" height=\"101\" class=\"mt-image-none\" style=\"\" \/><\/a><\/span><strong>Art Peppe<\/strong>r, <a href=\"http:\/\/www.cdbaby.com\/cd\/artpepper4\"target=\"_blank\"><em>The Art History Project<\/em><\/a> (Widow&#8217;s Taste). This is the latest segment in Laurie Pepper&#8217;s guided tour of her husband&#8217;s musical life. It begins in 1950 with the alto saxophonist on Stan Kenton&#8217;s band and ends a year before his death in 1982. About a third of the music is previously unreleased. All of it is fascinating. Whether Pepper is full of youth and optimism in the &#8217;50s, obsessing over Coltrane in the &#8217;60s or declaring his persona in a blistering blues in the &#8217;80s, we hear in this three-CD set one of the music&#8217;s indomitable individualists.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art Pepper, The Art History Project (Widow&#8217;s Taste). This is the latest segment in Laurie Pepper&#8217;s guided tour of her husband&#8217;s musical life. It begins in 1950 with the alto saxophonist on Stan Kenton&#8217;s band and ends a year before his death in 1982. About a third of the music is previously unreleased. All of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1811","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1811"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1811\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}