{"id":1800,"date":"2009-08-21T01:04:00","date_gmt":"2009-08-21T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1800"},"modified":"2009-08-21T01:04:00","modified_gmt":"2009-08-21T08:04:00","slug":"compatible_quote_stan_getz","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/08\/compatible_quote_stan_getz\/","title":{"rendered":"Compatible Quotes: Stan Getz"},"content":{"rendered":"<blockquote><p><em>You don&#8217;t rehearse jazz to death to get the camera angles.<\/em> &#8211; Stan Getz<br \/>\n<span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Getz%20smiling.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Getz smiling.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/08\/Getz smiling-thumb-110x84-9416.jpg\" width=\"110\" height=\"84\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><br \/>\n<em>A good quartet is like a good conversation among friends interacting to each other&#8217;s ideas.<\/em> &#8211; Stan Getz<br \/>\n<em>The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body.<\/em> &#8211; Stan Getz<br \/>\n<em>Let&#8217;s face it&#8211;we&#8217;d all sound like that if we could.<\/em> &#8211; John Coltrane<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>You don&#8217;t rehearse jazz to death to get the camera angles. &#8211; Stan Getz A good quartet is like a good conversation among friends interacting to each other&#8217;s ideas. &#8211; Stan Getz The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1800","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1800"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1800\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}