{"id":1751,"date":"2009-06-29T01:01:00","date_gmt":"2009-06-29T08:01:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1751"},"modified":"2009-06-29T01:01:00","modified_gmt":"2009-06-29T08:01:00","slug":"book_miller_williams","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/06\/book_miller_williams\/","title":{"rendered":"Book: Miller Williams"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Time%20%26%20Tilting%20Earth.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Time &amp; Tilting Earth.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/06\/Time &amp; Tilting Earth-thumb-110x110-8200.jpg\" width=\"110\" height=\"110\" class=\"mt-image-none\" style=\"\" \/><\/a><\/span><strong>Miller Williams<\/strong>, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FTime-Tilting-Earth-Miller-Williams%2Fdp%2F0807133531&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>Time and the Tilting Earth<\/em><\/a> (Louisiana). I have been a committed Williams fan since I first encountered his poetry in the 1960s. This little volume of new poems from late in his career is essence of Williams, a concentration of his brevity, warmth, wisdom, humor and absolute command of his craft. Williams&#8217; sense of wonder extends from the inner being to the cosmos. Much of his work suggests that they may be the same thing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Miller Williams, Time and the Tilting Earth (Louisiana). I have been a committed Williams fan since I first encountered his poetry in the 1960s. This little volume of new poems from late in his career is essence of Williams, a concentration of his brevity, warmth, wisdom, humor and absolute command of his craft. Williams&#8217; sense [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1751","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1751"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1751\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}