{"id":1734,"date":"2009-06-13T01:05:00","date_gmt":"2009-06-13T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1734"},"modified":"2009-06-13T01:05:00","modified_gmt":"2009-06-13T08:05:00","slug":"other_matters_the_real_winifre","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/06\/other_matters_the_real_winifre\/","title":{"rendered":"Other Matters: The Real Winifred Stone"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Poodie%202.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Poodie 2.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/06\/Poodie 2-thumb-90x138-7812.jpg\" width=\"90\" height=\"138\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span>If you have read <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FPoodie-James-Doug-Ramsey%2Fdp%2F0978186559&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>Poodie James<\/em><\/a>, you may remember Winifred Stone. She is the publisher of the newspaper that was important to the development of Poodie&#8217;s town by the Columbia River and the agricultural region around it. In the story, she is concerned about Poodie&#8217;s persecution by the mayor. Her paper is important in exposing that injustice.  Her character is based on a real person and her newspaper on a real publication.  This week, <em>National Public Radio<\/em>&#8216;s StoryCorps was in Wenatchee, Washington, on its mission of capturing tales told by interesting people. In the StoryCorps interview, Wilfred Woods, the publisher son of that publisher, told his father&#8217;s story. Yes, father. In the book, I made the publisher a woman. It&#8217;s fiction. That sort of thing is allowed.<br \/>\n<span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Woods%2C%20Bullitt.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Woods, Bullitt.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/06\/Woods, Bullitt-thumb-250x275-7819.jpg\" width=\"250\" height=\"275\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0 auto 20px;\" \/><\/a><\/span><br \/>\nThe StoryCorps folks recorded Mr Woods in conversation with Harriett Bullitt, another vital figure in North Central Washington. What they didn&#8217;t explain in the setup is that in addition to her founding of the famous <a href=\"http:\/\/www.sleepinglady.com\/home\/\"target=\"_blank\">Sleeping Lady Mountain Resort<\/a>, Ms. Bullitt is a member of a family that pioneered radio and television broadcasting in the Pacific Northwest. She asked Wilfred Woods to talk about his dad, Rufus, who gets a significant portion of the credit for the existence of Grand Coulee Dam. That depression-era achievement made irrigation possible and brought prosperity to an area that was turning to dust.<br \/>\nTo hear the conversation as it ran on Northwest Public Radio and see its accompanying slide show, <a href=\"http:\/\/www.nwpr.org\/07\/StoryCorps\/\/Bullit_Woods_Audio_Slideshow\/index.html\"target=\"_blank\">click here<\/a>.<br \/>\nI am happy to report that <em>Poodie James<\/em> is still the publisher&#8217;s best seller.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you have read Poodie James, you may remember Winifred Stone. She is the publisher of the newspaper that was important to the development of Poodie&#8217;s town by the Columbia River and the agricultural region around it. In the story, she is concerned about Poodie&#8217;s persecution by the mayor. Her paper is important in exposing [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1734","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1734"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1734\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}